TANG LILIN (0376668)
Advanced Typography
Task 2 - Type Exploration and Application
20/5/2025 - 12/6/2025 ( Week 5 - Week 8 )
Bachelor OF DESIGN (HONERS) IN CREATIVE MEDIA
LIST
LECTURE
Lecture 5 - Perception and Composition
Perception in layout involves guiding and interpreting the reader's
visual experience through contrast, form, and content composition. In
this lecture, we will discuss form and contrast.
1. Contrast
According to Carl Del's theory, contrast can be classified into the
following seven types:
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Size: Size contrast provides a focal point that concentrates
the reader's attention. For example, because the sizes of the
characters vary, we first notice the larger characters.
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Weight: This explains how bold fonts stand out in the same
style of light fonts.
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Shape: This refers to the differences between uppercase and
lowercase letters, or between roman and italic fonts, slim fonts,
etc.
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Structure: This refers to the differences in character
shapes between different font families. For example, the difference
between sans-serif fonts and traditional serif fonts.
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Texture: This refers to the overall visual effect of font
lines when observed at close and distant distances.
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Direction: This refers to the contrast between vertical and
horizontal directions, as well as the angular relationship between
the two. Combining wide horizontal line blocks with tall vertical
line blocks can also create a contrast effect.
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Color: When using a second color, its brightness should
generally be lower than that of a pure black and white
combination.
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Fig 1.1 Contrast Example Size - Color Week 05
21/05/2024
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2. Form
Excellent layout forms attract the eye. They guide the eye from one
point to another, stimulate thought, and leave a lasting
impression.
Layout has two functions: one is to express concepts, and the other is
to present them in visual form.
The interaction between meaning and form brings about a balanced
harmony in terms of function and expression.
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Fig 1.2 Typography Form Week 05 21/05/2024
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3. Organization / Formal Theory
Formal psychology aims to understand the laws underlying humans'
ability to acquire and maintain meaning. Formal theory emphasizes that
the whole is greater than the sum of its parts.
1 Law of Similarity: Points out the tendency for similar
elements to be recognized as a unified whole.
2. Law of Proximity: Points out the tendency for adjacent
elements to be perceived as a unified whole.
3. Law of Closure: Points out the tendency for humans to
perceive complete graphics or forms even when shapes are
incomplete.
4. Law of Good Continuation: Points out the tendency for humans
to perceive two or more intersecting objects as separate, independent
continuous objects.
5. Law of Symmetry: Points out that humans tend to perceive
symmetrical objects and forms as more visually appealing, balanced, and
orderly than asymmetrical objects.
6. Law of Area: Emphasizes that large visual elements are more
likely to be perceived as the main focus than small elements.
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Fig 1.3 Gestalt Principles Example Week 05 21/05/2024 |
PROGRESS
Task 2 - (A) Wordmark
Task 2 (A+B) Key Artwork & Collateral
1. Read the brief
2. View student examples
3. Begin Task 2 by making a mind-map (of who you are
or like to be), create a mood-board or an inspo.
for direction and produce sketches of possible
wordmark/lettering of your name (first name or pet name or pseudonym —
minimum 4-5 characters). Document said process in Task 2
eportfolio.
Showcase your sketches leading to digitised artworks.
4 Once Key Artwork is complete:
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export JPEG, grayscale, 300ppi (1. black on white 2. white on black
... see below)
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Go to the
and pick a colour palette for your identity
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wordmark: actual colour on lightest shade, lightest colour on
darkest shade of the palette
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Take a black and white self-portrait place key artwork (wordmark) on
it artistically
I followed the instruction and started to make a mindmap about
myself. I began to explore my personality, hobbies, and who I want
to be in the future.
After completing the mindmap, I started to look for word mark
references on the Internet with Creative, Dreamy, and Star as
keywords. I chose to design with my English name "LUNA". Then I
started to make sketches.
Fig 2.1.1 Mind Map & References & Sketches Week 05 21/05/2024
I followed the instruction and started to make a mindmap about myself.
I began to explore my personality, hobbies, and who I want to be in
the future.
After completing the mindmap, I started to look for word mark
references on the Internet with Creative, Dreamy, and Star as
keywords. I chose to design with my English name "LUNA". Then I
started to make sketches.
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Fig 2.1.2 Process of Serif Week 06 28/05/2024 |
In the picture, special serifs are added to the serif part of the
letter LUN, and stars are used to create negative space to enhance the
design sense. Therefore, two types of serifs are made.
In contrast, the processing of the letter A is more complicated. Since
it is difficult to change the serif of the letter A, I decided to change
the stroke in the middle of the letter A into a star to create negative
space, and change the angle of the serif to make it more suitable for
the overall style.
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Fig 2.1.3 Process of LUNA Week 06 28/05/2024 |
As for color selection, I chose purple, which represents dreams, pink as
a similar color, and yellow as a contrasting color.
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Fig 2.1.4 Colour of LUNA Week 06 28/05/2024 |
Design idea: Since the keywords of my design are creative, dreamy,
star. So I choose to use stars as a guide to introduce LUNA, because
there are many negative space designs about stars in the design, and
serifs are related to stars and moons.
Import the transparent LUNA into Adobe Effect, and use the shape tool
to draw stars, add effects of enlarging and shrinking, changing paths,
and changing colors. Create a mask effect for LUNA. The following is
my keyframe production.
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Fig 2.1.5 Animation Week 06 28/05/2024 |
Here is my finished animation:
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Fig 2.1.6 Final Animation Week 06 28/05/2024
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Task 2 (A)FINAL
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Fig 2.2.1 White Word Mark on Black Background Week 07 06/06/2024 |
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Fig 2.2.2 Black Word Mark on White Background Week 07 06/06/2024 |
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Fig 2.2.3 Word Mark in Lightest Shadeof My Color Palette on Darkest shade of My Color Palette Week 07 6/06/2024 |
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Fig 2.2.4 Word Mark in Actual Colors on lightest shade of My Color Palette Week 07 6/06/2024 |
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Fig 2.2.5 Color Palette Week 07 6/06/2024 |
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Fig 2.2.6 Final Animation Week 07 6/06/2024 |
Fig 2.2.7 Final Task 2 (A) - PDF Week 07 6/06/2024
Task 2 - (B) Collateral
I did some research on collateral and chose clothes, badges, and hats
as three collaterals based on my word mark style. I used my name LUNA to
create a sticker effect in PS.
Hat (p1): The color of the hat is the third color selected on
the Color Plate, and the color of the text is the fourth color for
contrast.
Expansion 1 (p3): Create LUNAs of different colors and arrange
them in four rows
Clothes (p4): Choose purple as the base color, enlarge LUNA to
create the back of the T-shirt, and choose yellow as the color of LUNA.
Arrange two sentences about creativity and star below: "Every creative
thought is a star waiting to shine —born from darkness, glowing with
endless possibility." and "Shine like a star, create like the
cosmos."
Expansion 2 (p6): I want to combine serifs to create a symbol that is easy to remember. I
merged two serifs and created a star in the negative space.
Badge (p7): Create a badge with the symbol and name, and choose
a color from the color palette that has a strong contrast and visual
impact.


Fig 2.3.1 Process of Task 2 (B) Week 07 6/06/2024
When I showed this work to Mr. Vinod, he said that my expansion part
cannot be just the name, as it would be too monotonous if it was just
the name. In addition, the symbol on p6 looks like an icon, which is not
allowed. It needs to be changed to a pattern. After that, I changed my
work.
I re-selected three collaterals as badges, scarves, and mobile phone
cases. I redefined the expansion setting of LUNA and decided to design
it in the direction of fantasy and astrology.
Expansion 1 (p1): Select the keyword, dreamy, and create a
full-page 45-degree diagonal dreamy. Strengthen the form of expansion 2
(p2).
Expansion 2 (p2): All elements are selected from the inside of
the LUNA font. Combine the letters UN, remove the serif on the upper
right of U and the serif on the lower left of N, and make the letter U
bolder to better match the overall weight and style. Use small stars to
connect and cross.
Badge (p4): Badge one is the name of LUNA. Badge 2 uses UN
combination and adds DREAMY keywords arranged in a circle on the
outside.
Scarf (p5): Download the material image from Huaban.com and use
the texture replacement method in PS to make it. Use Expansion 2 (p2) as
the main design, and decorate the periphery with small stars. After the
production is completed, add light and shadow to make the model more
natural.
Phone case (p6): Download the material image from Huaban.com and
use the texture replacement method in PS to make it. Still use Expansion
2 (p2) as the main design. After the production is completed, add light
and shadow to make the model more natural.
The process of making collateral with me.
Fig 2.3.2 Process of Task 2 (B) Week 07 6/06/2024
Task 2 (B)FINAL
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Fig 2.4.1 Word Mark in Lightest Shade of My Color Palette on Darkest shade of My Color Palette Week 07 6/06/2024 |
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Fig 2.4.2 Word Mark in Actual Colors on lightest shade of My Color Palette Week 07 6/06/2024 |
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Fig 2.4.3 Color Palette Week 07 6/06/2024 |
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Fig 2.4.4 Final Expansion 1 Week 07 6/06/2024 |
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Fig 2.4.5 Final Expansion 2 Week 07 6/06/2024 |
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Fig 2.4.6 Final Expansion 3 Week 07 6/06/2024 |
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Fig 2.4.7 Final Collateral 1 Week 07 6/06/2024 |
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Fig 2.4.8 Final Collateral 2 Week 07 6/06/2024 |
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Fig 2.4.9 Final Collateral 3 Week 07 6/06/2024 |
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Fig 2.4.10 Final Nine-Grid Layout Week 07 6/06/2024 |
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Fig 2.4.11 Final IG Screenshot Week 07 6/06/2024 |
Fig 2.4.12 Final Task 2 (B) - PDF Week 07 6/06/2024
FINAL COMPILATION - TASK 2
(A)&(B)
Task 2 (A)FINAL
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Fig 3.1.1 FINAL White Word Mark on Black Background Week 07 06/06/2024 |
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Fig 3.1.2 FINAL Black Word Mark on White Background Week 07 06/06/2024 |
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Fig 3.1.3 Word Mark in Lightest Shadeof My Color Palette on Darkest shade of My Color Palette Week 07 6/06/2024 |
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Fig 3.1.4 Word Mark in Actual Colors on lightest shade of My Color Palette Week 07 6/06/2024
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Fig 3.1.5 Color Palette Week 07 6/06/2024 |
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Fig 3.1.6 Final Animation Week 07 6/06/2024 |
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Fig 3.1.7 Final Task 2 (A) - PDF Week 07 6/06/2024
Task 2 (B)FINAL
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Fig 3.2.1 Word Mark in Lightest Shade of My Color Palette on Darkest shade of My Color Palette Week 07 6/06/2024
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Fig 3.2.2 Word Mark in Actual Colors on lightest shade of My Color Palette Week 07 6/06/2024
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Fig 3.2.3 Color Palette Week 07 6/06/2024 |
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Fig 3.2.4 Final Expansion 1 Week 07 6/06/2024 |
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Fig 3.2.5 Final Expansion 2 Week 07 6/06/2024 |
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Fig 3.2.6 Final Expansion 3 Week 07 6/06/2024 |
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Fig 3.2.7 Final Collateral 1 Week 07 6/06/2024 |
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Fig 3.2.8 Final Collateral 2 Week 07 6/06/2024 |
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Fig 3.2.9 Final Collateral 3 Week 07 6/06/2024 |
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Fig 3.2.10 Final Nine-Grid Layout Week 07 6/06/2024 |
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Fig 3.2.11 Final IG Screenshot Week 07 6/06/2024 |
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Fig 3.2.12 Final Task 2 (B) - PDF Week 07 6/06/2024
FEEDBACK
Week 8
General Feedback: Mr. Vinod gave comments on each of our work., and
talk about the brief of task 3 in class, and tell us that grades are not
the most important, learning is.
Special Feedback: The expansion part is still limited.
Week 7
General Feedback: Mr. Vinod gave comments on each of our work.
Special Feedback: Mr. Vinod gave me feedback saying that my work
should explore more in the expansion part. If there is more, it will be
better than just a name. For the symbol I made, it cannot look like an
icon or logo, it can only be a pattern.
Week 6
General Feedback: Mr. Vinod gave comments on each of our work.
Special Feedback: The design was not good this time. The stroke
width was not uniform, and the letter height was not uniform. Mr. Vinod
suggested that the letter U could be filled up. The letter A could be
lowercase.
Week 5
General Feedback:Mr. Vinod reviewed each of our assignments and
told us that in Task 2 A we need to reflect our own characteristics in the
wordmark, and in Task 2 B we need to create a form that reflects who you
are. If you design a brand and create an exciting design, people will be
happy to buy it.
Special Feedback:Mr.Vinod helped me improve my work and make it
more personal.
REFLECTION
Experience
This was a difficult experience for me. I had to re-make the wordmark
because I misunderstood the meaning when designing the wordmark. My
ideas for the expansion part were limited. I was always stuck with the
name. I spent a lot of time thinking about how to expand it, and
finally came up with the cross arrangement. I also made many attempts
in the collateral part, but the previous model was not well made. It
was just a background plus a model, which was very rigid. In the
subsequent changes, I tried to create perspective in the plane and add
light and shadow to make it more vivid.
Observation
In the expansion part, I think my thinking is relatively rigid. I
have been looking for a very perfect model, but after looking at other
students' works, I found that it is not the case. I can find a picture
and then use PS to make it perfect.
Finding
Before making the expansion, I have seen the production of many other
brands. I found that most expansions will add a lot of elements that
are not part of the wordmark itself. This will make the expansion look
richer, but the expansion production in our project is limited, which
will make the overall style more unified. If the wordmark is more
simple, it will make the overall look cleaner, but simplicity does not
mean simple. The most important thing I learned was the expansion
part, which was the production of the model map and the texture map.
You need to consider the size and position, as well as the color
matching, and keep trying to produce a good-looking effect.
FURTHER READING
fig 4.1.1 Serif Old Style & Serif Transitional
Serif Old Style & Serif Transitional
The development of serif fonts can be summarized in the following
key stages:
Ancient Origins (Roman Inscription Period)
Serif fonts originated from Roman inscriptions, where serifs
enhanced both aesthetics and functionality.
Medieval Writing Period
Humanist calligraphy evolved into more rounded styles, laying the
foundation for serif fonts.
The Rise of Printing (15th-17th Centuries)
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Venetian Old-Style Fonts (e.g., Jenson) marked the golden age of serif typography in
printing.
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Fonts like Garamond popularized
elegant and practical serif designs, becoming the mainstream
choice.
Formation of Modern Serif Fonts (18th-19th Centuries)
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Transitional Fonts (e.g., Baskerville) emphasized higher stroke contrast and straight
serifs.
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Modern Fonts (e.g., Didot, Bodoni) pursued
ultimate elegance and refinement.
Industrialization and Diversification (19th-20th Centuries)
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Serif fonts were adapted for various media, such as newspapers
and advertisements.
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Digital technology revived classic fonts and facilitated their
widespread use.
Modern and Contemporary Developments (21st Century)
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Combining tradition with innovation, serif fonts optimized for
screen reading (e.g., Georgia) were
designed.
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Serif fonts became a blend of functionality and artistic
expression.
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fig 4.2.1 Typographic Pronciples
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Typographic Pronciples
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The Combination of Science and Art
Typography design is both a science and an art, requiring balance
among elements within the layout to deliver solutions that are both
functional and aesthetically pleasing.
Exceptional designers often rely on professional training and
experience, using intuition to apply proven forms and aesthetic
principles effectively.
- Contrast in Design Elements
Contrast in size, shape, tone, placement, and color directly
influences the visual impact of a layout. Designers must possess
visual literacy to integrate text and images into a cohesive
composition.
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Understanding and Application of Font Characteristics
Designers need to understand the attributes of different fonts
(e.g., serif and sans-serif), their applications, and their unique
properties, as well as how they interact when combined.
Typography is not only an art but also rooted in design principles.
Designers use knowledge and experience to create works that reflect
specific styles, enhancing communication. Sometimes, they break the
rules intentionally to achieve innovative visual effects.
- Priority of Purpose and Function
Functionality is the core of typography. For instance, book design
prioritizes readability, while advertising design often requires
larger and more attention-grabbing typography.
- Design Rules and Flexibility
Mastering more design rules expands a designer’s capabilities,
enabling them to choose appropriate tools and methods to create
richer solutions.
In summary, typography is an interdisciplinary field
that combines artistry and practicality. Designers must blend
experience, principles, creativity, and flexibility to produce
high-quality work.
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